New books
19/09/18 09:40
There is considerable interest in my new book, announced on the Shop page.
In fact I am working on two books. Below are the specs.
Two books to be published in november 2018
Title: Leica Pocket Guide
Specs: 10 x 15 cm, bound and semi-leather softcover, all pages in colour,200 pages, one bookmark ribbon
Price: to be announced and probably between €20 and €25, excluding shipping cost
Synopsis:
covers all Leica models since M3, lists of serial numbers (cameras and lenses from start to end of 2016!), lens specs and diagrams of all current lenses (M, S, SL, Q, TL/CL), useful tables of brightness levels and contrast ranges of general scenes etc.
Title: The Leica Way in the 21st century
Specs: 17 x 24 cm, bound and hardcover, all pages in colour,400 pages, two bookmark ribbons
Price: to be announced and probably between €40 and €45, excluding shipping cost
Synopsis:
The unexpectedly swift transition of digitization of the photographic process and the subsequent digitalization of the photographic culture has created a difficult and at the same time exciting situation for the average Leica user. More choices of digital camera models promise an easier workflow and expanded opportunities for picture taking. On the other hand the Leica camera has lost part of its traditional magic. With billions of pictures uploaded every day, four questions need to be answered: (1) why photograph at all, (2) why photograph with a Leica camera, (3) which Leica camera to use and (4) what style of pictures is appropriate for the 21st century.
To answer the first question (a) we have to look at the differences between the way the brain processes the visual reality and how the lens does depict this same reality; (b) we have to appreciate how photography has been developed since its announcement in 1839 and the role of the Leica as the ultimate snapshot camera since 1925; (c) the development of modernism that emphasizes the important role of the moment and the gaze in everyday life, starting with the Impressionists and ending with Winogrand.
To answer the second question we have to look at (a) the Leica as a technical artefact that was the first precision engineered camera, including its design and engineering; (b) the evolution of the manufacturing process to produce the Leica and (c) the current level of engineering, material choice and design principles of the Leica product range.
To answer the third question we have to look at (a) the emotional and practical differences between the analog and digital technical processes and (b) the style and technique of the great masters of Leica photography.
To answer the fourth question we have to look at (a) the differences between low (amateur) art and high (intentional) art and the middle-bow art in between; (b) the deadpan-snapshot style as an alternative to the ubiquitous street photography that has been defined as the quintessential Leica photography style, starting with the decisive moment. The conclusion is rather unexpected: the emotional personal record of everyday life in deadpan format is best suited for Leica photographers in this 21st century.
In fact I am working on two books. Below are the specs.
Two books to be published in november 2018
Title: Leica Pocket Guide
Specs: 10 x 15 cm, bound and semi-leather softcover, all pages in colour,200 pages, one bookmark ribbon
Price: to be announced and probably between €20 and €25, excluding shipping cost
Synopsis:
covers all Leica models since M3, lists of serial numbers (cameras and lenses from start to end of 2016!), lens specs and diagrams of all current lenses (M, S, SL, Q, TL/CL), useful tables of brightness levels and contrast ranges of general scenes etc.
Title: The Leica Way in the 21st century
Specs: 17 x 24 cm, bound and hardcover, all pages in colour,400 pages, two bookmark ribbons
Price: to be announced and probably between €40 and €45, excluding shipping cost
Synopsis:
The unexpectedly swift transition of digitization of the photographic process and the subsequent digitalization of the photographic culture has created a difficult and at the same time exciting situation for the average Leica user. More choices of digital camera models promise an easier workflow and expanded opportunities for picture taking. On the other hand the Leica camera has lost part of its traditional magic. With billions of pictures uploaded every day, four questions need to be answered: (1) why photograph at all, (2) why photograph with a Leica camera, (3) which Leica camera to use and (4) what style of pictures is appropriate for the 21st century.
To answer the first question (a) we have to look at the differences between the way the brain processes the visual reality and how the lens does depict this same reality; (b) we have to appreciate how photography has been developed since its announcement in 1839 and the role of the Leica as the ultimate snapshot camera since 1925; (c) the development of modernism that emphasizes the important role of the moment and the gaze in everyday life, starting with the Impressionists and ending with Winogrand.
To answer the second question we have to look at (a) the Leica as a technical artefact that was the first precision engineered camera, including its design and engineering; (b) the evolution of the manufacturing process to produce the Leica and (c) the current level of engineering, material choice and design principles of the Leica product range.
To answer the third question we have to look at (a) the emotional and practical differences between the analog and digital technical processes and (b) the style and technique of the great masters of Leica photography.
To answer the fourth question we have to look at (a) the differences between low (amateur) art and high (intentional) art and the middle-bow art in between; (b) the deadpan-snapshot style as an alternative to the ubiquitous street photography that has been defined as the quintessential Leica photography style, starting with the decisive moment. The conclusion is rather unexpected: the emotional personal record of everyday life in deadpan format is best suited for Leica photographers in this 21st century.
December 2020
November 2020
October 2020
July 2020
June 2020
May 2020
April 2020
March 2020
February 2020
January 2020
December 2019
November 2019
October 2019
September 2019
May 2019
April 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
December 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
November 2020
October 2020
September 2020
August 2020July 2020
June 2020
May 2020
April 2020
March 2020
February 2020
January 2020
December 2019
November 2019
October 2019
September 2019
August 2019
July 2019
June 2019May 2019
April 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018February 2018
January 2018December 2017
November 2017
October 2017September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015March 2015
February 2015