Kijk op het fotografisch universum door Erwin Puts
Blog
  • © 2005-2019 Erwin Puts Contact Me 0

Blog

January 2017

The E6 process

Recently, Kodak announced that it would restart production of the slide film Ektachrome 100. This is good news for all emulsion users and lovers. Leica cameras and slide film are intimately connected since the first days of Kodachrome. The impressive Leica performance was possible with the help of the Kodachrome K14 and later Ektachrome E-6 process. Indeed it should be the main aim of Leica to convert the digital workflow into a simple E6 process. The reason why I do not evaluate the colour characteristics when discussing new Leica digital cameras is the vast range of influences on the outcome, starting with the colour space and ending with the post processing manipulations. The original E6 process was a simple one. The characteristics of the slide film were known and measured to what ever precision you want. Then it is easy to evaluate the final result.
Now that Leica has chosen to follow the road of simplicity in the digital domain ( a decision I personally applaud) the next step is to implement the E6 process: there could be an internal program or algorithm inside the camera that optimizes the potential of the sensor and produces a Raw file (a colour slide so to speak) that can be printed right away without any post processing. There is no need to do this during the capturing stage and it is possible to do this after capturing the image file on the memory card.
The beauty of the digital process is the flexibility: the user has the choice, but an internal E6 algorithm in a Leica camera would increase the joy and simplicity of the act of taking photographs. And that is what every Leica M user would strive for.

addendum to M10 review

There is some discussion about the characteristics of the sensor in the M10 and how closely it is related to the sensor in the SL and/or which manufacturer is responsible for the production of the sensor. One should first differentiate between the sensor design and the sensor manufacture. Given that the manufacturer has the required expertise and production technology it is in fact irrelevant which manufacturer does the job, as long as the results are within specifications and quality tolerances. The main characteristics of a sensor are: its sensitivity, resolution, noise, contrast ratio, dynamic range and colour gamut and accuracy.
These characteristics are determined and/or influenced by the technical layout of the imaging chain. The basic process is simple: light falls on a regular grid of detectors (a photodiode array or lattice), that produces a pattern of electric charges which are measured and then converted to numbers stored in an image file.
The main elements of the sensor architecture are the basic substrate (a p/n type silicon wafer) and the light-sensing unit (as a semiconductor Capacitor (MOS). In the substrate, pixels are defined as a grid of narrow electrode strips, known as gates. The collected electrons or charge are transferred to the output amplifier and then to the A/D converter. A full frame sensor is one in which the full sensor surface is sensitive to light and there are no dead spaces between the individual pixels. That is why I have problems with the use of ‘full frame’ as a designation for a sensor with the dimensions 24 x 36 mm. It would be better to use the term ‘full size’ for a sensor area of 24 x 36 mm.
Before the basic substrate are located a number of layers: Bayer pattern, IR filter, optionally a low pass filter and coupled to the sensor are the CMOS read out and the A/D converter that integrates with the DSP processor, the Maestro-II in case of Leica. To improve the light gathering capacity of the pixel, an array of specifically shaped microlenses is used in every case. This is not specific for the Leica designed sensors, but common practice.
In a CCD sensor the charge of every pixel is transferred through a narrow output channel to be converted to voltage. In a CMOS sensor every pixel has its own charge-to-voltage conversion and the sensor as a package may include amplifiers, noise-correction and digitization circuits.
The exact layout of the several Leica sensors in the Q, SL and M (various versions) full size sensor types is not (yet) communicated.
The complicated and often highly integrated and also the many separated elements that make up the full architecture make it quite difficult to say that one specific sensor is is or is not different from another one.
The remark that the filter layer and the shape of the microlenses of the sensor in the M10 have been (again) optimized for the use of Leica M lenses has not much information value. Such an optimization has been the case for every Leica digital M since the M8 and DMR R8- module. It would be only informative when the differences are specified in detail. These changes (in whatever extent and magnitude) do not imply that the rest of the sensor architecture is or is not identical to another one.
Depending on how one person assesses the magnitude of the differences in architecture, one may say that (to be specific) the sensor in the M10 is or is not identical with the sensor in the SL. After all, the sensor in the Q and SL have been claimed as the same or as improved, whatever this means.
The upshot is that it is the result that counts.